What is the difference between rane sl3 and sl1

However, mixers generally need an external audio interface, especially if you want to record your master mix. Without further ado, follow these steps to successfully connect your DJ interface to a hardware device. Anyway, quite often you need to do a bit more to have it working full-steam ahead. With Apple, this is rarely the case, but it could still happen depending on your particular Mac model.

You can use your DJ interface to record your mix. The rest will be taken care of by the DJ software. So, the first thing you need to do is to find a free output on your DJ mixer. There could be an actual recording output, but you can just use the auxiliary one AUX. Basically, you can use any available output you see. Now the mixer will freely send data from the channels into the sound card.

Also, make sure that you have the switch on the back of your interface turned to Line. Your software will ask you to select your input , so in our case, that would be the auxiliary interface input. In Serato, this would be marked as Channel 3 , since Channel 1 and 2 are already hooked up and reserved for the two decks. Throughout the years, Rane has launched lots of DJ hardware including mixers, interfaces, and controllers. Yes, a 2. In case you missed it, I wrote about the difference between these two types of USB inputs in a section above.

With the SL-2, you get two decks of Serato Scratch Live control, which means that you can carry on and mix using the two channels you have on your DJ mixer. The SL-2 can be connected to your DJ controller, but the main purpose is to use time code. Unlike SL-1, the SL-2 is This means it can transfer data much faster as it can support more bandwidth than the SL1.

Finally, Rane has put an additional jack for the optional power supply. In case you ever need it, you can plug in an adapter and keep mixing. The SL-3 audio interface is much more advanced than the SL As the name suggests, it offers three decs that you can control. Just like its predecessor, the SL-3 allows the use of time code via the inputs on the back.

There is a left deck , a right deck , and an auxiliary AUX input, that you could actually use as a third deck in Scratch Live. However, the third auxiliary input has more to offer. You could record your master mix from the hardware back into the Serato DJ software. In the same manner, it includes an additional jack for a power supply adapter. If you remember, the SL-2 only allowed you to choose CD or phono, while with the SL3 you get the freedom to choose as many inputs as you want.

Gradually, the SL-4 gives us the opportunity to connect four channels to the audio interface. In other words, it comprises four sets of inputs and outputs, plus an auxiliary deck. You can use that one to record your mixes from all the four channels you will use in your DJ set.

The revolutionary feature it brought is the two 2. Just like the SL3, it has switches in the back that allow you to shift between CD and phono. All four decks work independently, so in theory, you could connect different hardware to all four channels and use them simultaneously.

However, the most incredible thing regarding sound quality is that the SL-4 is 48 and 96 kHz capable. To sum up, they are two separate sound cards. These two could be connected by mind-blowing technology called The Bridge. The Bridge is a DJ tool that allows you to connect two independent interfaces running two different DJ software programs.

It exists as a result of the collaboration between Ableton and Serato, and the outcome is mind-blowing. The Bridge was an attempt to unite the customers that were either using both DJ software programs or are yet to choose which one they want. What one software lacks, the other one makes up for, and The Bridge unites the best from both worlds. It will allow you to perform video mixing, i. Moreover, you get 40 visuals for your audio and video set that are royalty-free and ready to be utilized.

With Serato Video, you get additional master effects that you can apply to your mix. Rane boast that the SL3 features software switchable Direct Thru connections so less cable is required, however using phono piggyback cables with the SL1 requires less cable anyway. Rane provide an international power supply with the SL3, although using phono piggyback cables with the SL1 negates the need for a power supply altogether. The SL3 is definitely an improvement on the SL1 but if these improvements are relevant to you depends on your requirements as a DJ.

Rumours abound that Serato Scratch Live will feature multi deck control in the future — that is certainly worth keeping an eye on. I don't plan on using more than two turntables, though I may get dicers in the future and play around with sample banks. Mucking about with The Bridge is something I'm quite interested in as well, though mostly to tie in little things I've produced. Unless your shelling out the money for the PHAT 2 usb ports, go as cheap as possible I'd say check the SL2.

Your production may benefit from the sound converters SL-1 only stays within 16 bit, SL2 goes 24 bit , and from what a friend of mine checked, the response for the decks are tighter on the SL2 for scratching not by much, but it just "feels" tighter not my words.

It is an unknown fact that Mr. T is the original Black Power Ranger. If you wanna record I know that the sl4 has 2 usb inputs, which is a bonus but in terms of sound quality, which would be better? I would be recording from a djm mixer into a MOTU audio interface and then onto a computer , so would having the 96khz option sl4 really be that necessary?

Do many other DJ's actually record mixes using the 96khz, or is 48khz fine? A lot of the files I mix with are wav, only I know that both have bit at the moment I have sl1, which is bit , just trying to work out which is more useful purely based on the quality of the output. Many thanks for your help as always!